Worship and Music
Music is integral to the life of the Auburn Uniting church. We have a strong musical tradition dating back over 125 years – to the times of Wesleyans and Methodists before 1977. The directors of music and organists have continued the tradition of choosing the best of liturgical from all denominations. The current choir sings from musical sources as diverse as the Australian Catholic Worship Book, the U.S Episcopal Church’s Psalms and Canticles for Singing, and Royal School of Church Music’s special services Veni Emmanuel in Advent and The Way of the Cross in Lent or Holy Week.
The choir and organist provide for the weekly worship services with a large variety of sung elements chosen to suit the liturgical season and the lectionary readings for the day. These include an introit, a sung psalm, occasional canticles and a weekly anthem.
The music is strongly supported and greatly valued by the Auburn congregation and visitors. Music styles range from plainsong through anthems from many centuries, traditional hymns (from Together in Song) to contemporary Australian, the Taize community, and pieces from other cultures.
Monthly communion services/celebrations of the Eucharist are sung to such settings as Geoffrey Cox’s Eucharist for Congregation and Philip Mathias’s Christ Church Mass.
Several times a year the choir combines with members of The Ad Hoc Singers to provide important musical services for the special seasons and feasts of the Church. In the past there have been such services: in Holy Week The Way of the Cross; Maundy Thursday Tenebrae; Advent Veni Emmanuel, and for Christmas 2016 The Promised Messiah – A Festival of Nine Lessons and Carols.
Director and Organist
We are fortunate to have a wonderful Music Director, Bruce Macrae, and an incredible Organist, Margaret Pettitt. Margaret plays classical music before and after the Sunday morning worship service. Bruce is a retired teacher and curriculum consultant and is prominent and highly regarded in the musical life of Victoria as a choral conductor and accompanist.
The historic organ was built and installed in the church for its opening in 1889 by the Melbourne firm of Fincham and Hobday. George Fincham (1828-1910) was born in London, and served his apprenticeship under Henry Bevington, some of whose organs are also in Australia. Arthur Hobday was apprenticed to, and later a partner of, “grandfather” George Fincham.
The organ originally had two manuals and 20 stops and has been enlarged three times. In 1922, additions to the organ were carried out by J W Slatterie, an apprentice to George Fincham, who had started his own organ works in Melbourne. Most recently, in 1967, the size of the organ was increased to three manuals, 38 stops and about 1700 pipes by Hill, Norman and Beard.
The organ in its present form therefore represents hundreds of years of English and Australian organ building tradition, and is a fine example of Victorian craftsmanship. It is one of the larger Fincham organs of the late 19th century still in its original location in Melbourne. The case was designed by the church’s architect, Alfred Dunn, rather than the organ builder.